Class Divisions on the Broadway Stage
The Staging and Taming of the I.W.W.
Michael Schwartz
ISBN: 9781137353054
DOI: 10.1057/9781137353054
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is a series devoted to the
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performance forms that in recent years have helped broaden the understanding of what
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burlesque to street buskers, stage magic, and musical theatre, among many others).
Although historical, critical, or analytical studies are of special interest, more theoreti-
cal projects, if not the dominant thrust of a study, but utilized as important underpin-
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Textual studies of drama or other types of less-traditional performance texts are also
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The editor of the series is Don B. Wilmeth (Emeritus, Brown University), PhD,
University of Illinois, who brings to the series over a dozen years as editor of a book
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an editor of books and journals. He is the author of several award-winning books and
has received numerous career achievement awards, including one for sustained excel-
lence in editing from the Association for Theatre in Higher Education.
Also in the series:
Undressed for Success by Brenda Foley
Theatre, Performance, and the Historical Avant-garde by Günter Berghaus
Theatre, Politics, and Markets in Fin-de-Siècle Paris by Sally Charnow
Ghosts of Theatre and Cinema in the Brain by Mark Pizzato
Moscow Theatres for Young People: A Cultural History of Ideological Coercion and
Artistic Innovation, 1917–2000 by Manon van de Water
Absence and Memory in Colonial American Theatre by Odai Johnson
Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time
and Its Performers by Arthur Frank Wertheim
Performance and Femininity in Eighteenth-Century German Women’s Writing
by Wendy Arons
Operatic China: Staging Chinese Identity across the Pacific by Daphne P. Lei
Transatlantic Stage Stars in Vaudeville and Variety: Celebrity Turns by Leigh Woods
Interrogating America through Theatre and Performance edited
by William W. Demastes and Iris Smith Fischer
Plays in American Periodicals, 1890–1918 by Susan Harris Smith
Representation and Identity from Versailles to the Present: The Performing Subject
by Alan Sikes
Directors and the New Musical Drama: British and American Musical Theatre in the
1980s and 90s by Miranda Lundskaer-Nielsen
Beyond the Golden Door: Jewish-American Drama and Jewish-American Experience
by Julius Novick
American Puppet Modernism: Essays on the Material World in Performance
by John Bell
10.1057/9781137353054 - Class Divisions on the Broadway Stage, Michael Schwartz
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On the Uses of the Fantastic in Modern Theatre: Cocteau, Oedipus, and the Monster
by Irene Eynat-Confino
Staging Stigma: A Critical Examination of the American Freak Show
by Michael M. Chemers, foreword by Jim Ferris
Performing Magic on the Western Stage: From the Eighteenth-Century to the Present
edited by Francesca Coppa, Larry Hass, and James Peck, foreword by Eugene Burger
Memory in Play: From Aeschylus to Sam Shepard by Attilio Favorini
Danjūrō’s Girls: Women on the Kabuki Stage by Loren Edelson
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Rogue Performances: Staging the Underclasses in Early American Theatre Culture
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Broadway and Corporate Capitalism: The Rise of the Professional-Managerial Class,
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Lady Macbeth in America: From the Stage to the White House by Gay Smith
Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists
by Marla Carlson
Early-Twentieth-Century Frontier Dramas on Broadway: Situating the Western
Experience in Performing Arts by Richard Wattenberg
Staging the People: Community and Identity in the Federal Theatre Project
by Elizabeth A. Osborne
Russian Culture and Theatrical Performance in America, 1891–1933
by Valleri J. Hohman
Baggy Pants Comedy: Burlesque and the Oral Tradition by Andrew Davis
Transposing Broadway: Jews, Assimilation, and the American Musical
by Stuart J. Hecht
The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the
Present by John M. Clum
Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed
and Displaced by Min Tian
Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits by Bruce Baird
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Theatre, Youth, and Culture: A Critical and Historical Exploration
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Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics
by Christin Essin
Audrey Wood and the Playwrights by Milly S. Barranger
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A Sustainable Theatre: Jasper Deeter at Hedgerow by Barry B. Witham
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The Group Theatre: Passion, Politics, and Performance in the Depression Era
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Cultivating National Identity through Performance: American Pleasure Gardens and
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Entertaining Children: The Participation of Youth in the Entertainment Industry
edited by Gillian Arrighi and Victor Emeljanow
America’s First Regional Theatre: The Cleveland Play House and Its Search for a Home
by Jeffrey Ullom
Class Divisions on the Broadway Stage: The Staging and Taming of the I.W.W.
by Michael Schwartz
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10.1057/9781137353054 - Class Divisions on the Broadway Stage, Michael Schwartz
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Class Divisions on the Broadway
Stage
The Staging and Taming of the I.W.W.
Michael Schwartz
10.1057/9781137353054 - Class Divisions on the Broadway Stage, Michael Schwartz
Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect - 2014-09-04
c l a s s d i v isi o n s o n t h e b r o a d w a y s t a g e
Copyright © Michael Schwartz, 2014.
All rights reserved.
First published in 2014 by
PALGRAVE MACMILLAN®
in the United States—a division of St. Martin’s Press LLC,
175 Fifth Avenue, New York, NY 10010.
Where this book is distributed in the UK, Europe and the rest of the world,
this is by Palgrave Macmillan, a division of Macmillan Publishers Limited,
registered in England, company number 785998, of Houndmills,
Basingstoke, Hampshire RG21 6XS.
Palgrave Macmillan is the global academic imprint of the above companies
and has companies and representatives throughout the world.
Palgrave® and Macmillan® are registered trademarks in the United States,
the United Kingdom, Europe and other countries.
ISBN: 978–1–137–35304–7
Library of Congress Cataloging-in-Publication Data
Schwartz, Michael, 1963 October 18–
Class divisions on the Broadway stage : the staging and taming of
the I.W.W. / by Michael Schwartz.
pages cm—(Palgrave studies in theatre and performance history)
Includes bibliographical references and index.
ISBN 978–1–137–35304–7 (alk. paper)
1. American drama—20th century—History and criticism.
2. Industrial Workers of the World—In literature. 3. Theater and
society—New York (State)—New York—History—20th century.
4. Class consciousness—New York (State)—New York—History—20th
century. 5. Labor movement in literature. 6. Class consciousness in
literature. I. Title.
PS338.I58S37 2014
8129.5093553—dc23 2013050447
A catalogue record of the book is available from the British Library.
Design by Newgen Knowledge Works (P) Ltd., Chennai, India.
First edition: July 2014
10 9 8 7 6 5 4 3 2 1
10.1057/9781137353054 - Class Divisions on the Broadway Stage, Michael Schwartz
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For Kathy
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